Sandisiwe Genuka – UnguJehova is now on Radio
A independent artist from eastern cape who pour his heart on singing and songwriting he bless us with the first homoneous Hip-Hop (Afropop )album called it “Intliziyo” where he mention the famous female artists around south african
Tembinkosi Mjayezi is a renowned Maskandi recording artist, was born on 05 January 1972 in the quaint town of Centane, Eastern Cape, Tembinkosi mjayezi emerged as a notable figure in the world of Maskandi music,captivating audience with his heartfelt melodies and resonating lyrics
Tembinkosi’s educational journey began at Thembani Primary School in 1980.After completing his primary education,he continued to expand his horizons at Qina Junior Secondary School.In 1992 , seeking new opportunities,he embarked on a journey to Gauteng, where the bustling city lights held the promise of a brighter future
Having grown up immersed in the sounds of Umbhaqanga , Tembinkosi”s musical sensibility were deeply rooted in his upbringing, However, in the year 2000,a turning point occurred when he discovered the enchanted world of Maskandi music, This genre resonated with him on level, and he wholeheartedly embraced its traditional and rhythms.
Tembinkosi dedication to his craft was evident in his tireless efforts to connect with his audience,He committed his weekend to attend shows, sharing his music, and promote his unique sound,In 2020,he took a bold step and began his journey as a vocalist, releasing two singles that captured the essence of his musical identity.These songs,titled “Inkosi Yaba Landeli’, market beginning of his solo career,
In 2022 he released album title All in order Ihlub’elihle
In 2023 released EP under Inkosi Yaba Landeli’
Title Umfazi womuntu
In 2024 release Album under Ihlub’elihle
Title couple of the year
Radio has undoubtedly fallen a bit out of favor with the rise of glitzy, modern streaming services that seemingly make the listening experience much richer and, well, cooler. But you may be surprised to learn that radio listening still accounts for much, much more than all the streaming services combined.
When it comes to building regional popularity and getting your name out there, radio airplay is indispensable. For that reason, it’s still some of the most competitive real estate in the music industry. Everyone wants to get airplay, so how do you beat out the competition?
There’s no one-size-fits-all approach to getting radio airplay, but there are strategies you can employ and steps you can take to shift the odds in your favor. In this article, we dive into these strategies and explain how to harness the power of airplay data to fine-tune your promotion strategy and, ultimately, grow your audience.
Radio airplay means getting songs played on the radio and is often referred to as ‘radio plays’ or simply “spins”. Radio used to be the single most potent promotion channel in the “analog” music industry of the 20th century. Primetime radio rotation could turn an unknown artist into a nationwide sensation in a matter of days.
The times they are a changing, though, and throughout the last decade, radio got pushed to the periphery of the music industry. The new promotion channels — first, social media, then streaming services and playlists, became the topic of conversation amongst the music professionals. However, while the digital space has put new tools in the hands of digitally-minded music marketers, radio has never really lost its relevance.
It is still a great way to boost an artist’s fanbase and popularity. Radio stations remain one of the most listened music mediums on the planet — in the United States, for example, the average weekly audio consumption via radio is about 14 times greater than combined consumption across all audio streaming services. Any worthwhile advertising professional will tell you that the new media, viral challenges, social media, and guerilla marketing is cool and all — but if you really want to reach a broad consumer audience, you have to go TV ads.
The same is true for radio in the music industry. Sure, you can build your fanbase on social media, invest in viral music videos, and try to leverage Spotify playlists to drive your stream count — but no one has ever reached the top-1 Billboard spot without the mainstream radio support.
What most people think of as “radio” is actually just one part of the landscape: commercial radio. But if you’re just starting out and trying to build an audience, it may be prudent to start with non-commercial radio.
Commercial radio is the most prominent and the most difficult radio to get your music on. These are the traditional FM radio stations, e.g. 101.6 “The Joint!” (or whatever your local variation), alongside the prominent satellite radios of the Sirius XM network, that play music with occasional ads. They account for the vast bulk of radio listening (which, remember, is 14x bigger than all streaming platforms combined), so getting your music played on commercial radio can be a career-maker, especially when you’re first building a regional audience.
Non-commercial radio is the lesser-known and less prominent type of radio that usually refers to non-profit radio (though it can also include podcasts and radio stations). College radio stations, smaller independent radio stations and web-first online radio — all of those would fall into the category. While airplay on non-commercial radio doesn’t have the prestige (or the audience) of commercial radio, it’s easier to get onto and, therefore, a good starting point when you’re first trying to get airplay. Besides, some of the more influential non-commercial radio stations are often used as hunting grounds by the mainstream radio programmers looking for the next big thing.
Radio airplay doesn’t just happen (at least for most artists): it’s usually the product of months or years of work in developing an audience on other platforms, building up relationships in the industry, and growing your radio promotion network. However, there are also some simple steps you can take to boost your odds of getting on the air. Here are the moves you can make, both big and small.
Radio airplay is prestigious and highly competitive, which means that if you want to get your music on the radio, you’ll need a resume that radio stations will notice and take seriously. The first and most important step is to get some traction on Spotify, Apple Music, Pandora, SoundCloud, YouTube and other major digital consumption channels. Get on playlists, drive the streams and build somewhat of an audience — 99% of the time, radio rotation lags behind the streaming consumption. You don’t have to get to the top of Spotify charts, of course, but earning solid clout on streaming platforms before you try to get onto the radio will give you a big leg-up over anyone who lacks that audience.
This might sound like an outdated approach, but hear us out! Everyone and their mother used to send their CDs or mixtapes to radio stations in the 90s and early 2000s. Now — not so much. That makes this is a simple and effective way to set you apart from other people trying to get on the same radio stations. It’s old school, but the mere fact that it’s a rarity for people to do these days gives you an in. That is especially true for vinyl, so if you’re planning a vinyl physical release — make sure you set a couple of records aside to send over to the most prominent radio in your area.
The gates of non-commercial radio airplay aren’t as well guarded as its commercial cousin, which makes it a great place to build your resume in the early stages of your career. Also, the larger and more influential independent radio stations can launch a “domino effect” and help you cross over to commercial radio. Radio programmers talk to each other and listen to each other’s shows, so if your music is a hit on non-commercial radio, it may very well make its way onto mainstream airplay.
If you have any sort of fan base, then you may be able to use an exclusive single as leverage: offer a radio station one of your songs that’s never been heard before and make sure your fans know as well. They will count on your audience tuning in, which gives them one more reason to put you on air. That being said, exclusives do take some coordination between the radio station and the artist, so while it will take some work, the effect might well be worth it.
First impressions are everything in the music world, and an EPK is your chance to shape the first impression you make on a radio station. Send over a kit with a compressed MP3/WAV of your Single/EP/album with links to your website, social media, biography, etc. A well-made EPK indicates professionalism, and also allows you to sell yourself on your strongest points.
Radio promotion is hugely expensive if you go with a dedicated promotion service: in the US, urban radio promotion campaigns start at $15k Even worse in Africa. Low-cost airplay like non-commercial radio can only take you so far, so if you’re considering radio as a center of your promotion strategy, you need to get a label behind the release who can substantially invest in promotion. Through it all it is also possible to get free airplay on commercial radio station when you do it for yourself through the right channels.
Not all airplay is a result of your radio promo campaign — some of it will happen organically. If you see your music get its first “organic” plays on the radio, it probably means that the radio programmers are testing to see how it sits with the audience. This is the best time to get in touch with them — but you have to be on top of radio airplay data to take advantage of that moment.
Your native market is no doubt important — but remember that in the 21st-century music doesn’t really give a damn about borders. There’s no reason to restrict yourself to the limited audience in your home region when music can so easily go across the world. Be aware of your opportunities outside of your local market, and even outside the US & Europe. You could already have an audience (and airplay) in places you’d never imagined.
Getting your first radio airplay may seem like a huge victory (and it is), but, just like your first sale, it’s just the beginning of the journey. Are you satisfied with airplay on one station, or do you want to grow? Because the only way to know if you are growing your audience, or even if you hit the Radio Charts, is to have the data on hand. With radio airplay data, you can:
GGP Radio Airply tracks radio data in real-time from 1,975 stations from 78 countries and turns this data into actionable charts & reports that let you identify every potential market and opportunity. Test out new promotion strategies and check the data to see what works (and what doesn’t).
Try GGP Radioairplay today
Radio airplay is just one of the promotion platforms available to the artists. Just like any other channel, it has its strengths and weaknesses. Every career is unique, and radio airplay might be a principal medium for one artist and a useless investment for another. However, given the size of radio audiences, it’s not something that can be overlooked. Consider how much time (and money) you’re ready to dedicate to radio promotion — and what you will get out of it in the end.
If you decide to engage with radio promotion, the airplay data is your best friend. It can help you not only see the results of your work but grow and maintain your promotion network and identify opportunities you would’ve missed otherwise. Getting on commercial radio should be one of your main goals, so pull out all the stops and try out every one of the tips listed above! If commercial radio is unrealistic at this stage or your career, start smaller with independent or college radio stations and build up towards more mainstream airplay.
“Damage Control RSA is a dynamic South African musical duo from Tsakane, East Rand, formed by Flowmatic and Twista_ZA. With a passion for storytelling through music, they weave tales of resilience, love, and cultural heritage, resonating with fans globally. Their authentic sound blends traditional roots with modern styles, making them a standout in the South African music scene.”
Pontsho October is a recording artist and songwriter from Pretoria. A genre, sound and language hopper. A true definition of versatile. His music ranges from RnB, pop, afro-pop, dance, reggae, alternative and fusion.
Born and raised in Limpopo and later moved to Pretoria. His music journey started 2015 with the release of a song “Ghuba Dance”. He released his debut album 2018 called Village Boy and re-released it again 2025 under the title “Mmino Masala Vol 1”. “Music is storytelling and every story needs its own sound and vibe” – Pontsho October
POISON SON is a rapper and a song writer from Durban, who has been involved in many community activities and now he chasing dreams through Rap verses. Rapping his way through reality from the street to the recording studio. His first single OPPRESSED reflects on social political issues and struggles that ordinary South Africans face on daily basis. Has performed with big artists like Zakwe and also appeared in various community newspapers
Paul Beaubrun is a dynamic Haitian singer, multi-instrumentalist, songwriter, and producer whose music blends Haiti’s rich cultural heritage with global sounds. Born into an artistic lineage, his parents co-founded the Grammy-nominated band Boukman Eksperyans, and his grandfather was the legendary comedian Languichatte. Paul honors this legacy by fusing Haitian roots with innovative guitar work, soulful vocals, and a mix of Haitian Creole, French, and English. Paul has performed globally with Micheal Brun “Bayo tour” including Festival International de Jazz de Montreal, Prospect Park, Central Park, NYC, Antilliaanse Festen in Belgium, and Coachella. His captivating live performances have taken him to some of the world’s most prestigious venues, such as The Beacon Theater and Radio City Music Hall in New York City, Massey Hall in Toronto, The Ryman Theatre in Nashville, The House of Blues in Chicago, and Time Square NYC, among others. He collaborated with artists like Sheryl Crow, Maxwell, Ben Harper, Jackson Browne, and Lauryn Hill. Since 2022, Paul has been a touring member of Arcade Fire, appearing on platforms like Saturday Night Live and The Tonight Show Starring Jimmy Fallon, solidifying his reputation as a versatile, internationally celebrated musician.
Tees thabo whose real name is Thabo Sekojoane is a multi-talented South African musician who was born and located in Matatiele Eastern Cape. He is both songwriter,music producer and a video editor. Tees thabo has worked with several South African artists producing music,like “Lerato”,Ngiyavuma, etc which were well received by fans.